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The mother reluctantly lets her in, and the housekeeper rushes inside to reveal a secret underground bunker, in which she has hid and nursed her husband for years. The Parks’ former housekeeper, who Park Chung-Sook, the Kim mother (Lee Jeong-Eun), replaced, comes banging on the front door. This danger is revealed during the deep string solo featured in “The Hellgate,” which pushes the film to a climax as a horrifying and shocking secret is revealed within the mansion.
#Dramatic opera music used in movies movie#
The Korean director is known for throwing wild twists into his plotlines, and the eerie music throughout the beginning of this movie helps build up to this twist.
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This feeling of impending jeopardy that the soundtrack molds throughout the beginning is not just appropriate for “Parasite,” but all movies directed by Bong Joon-Ho. But, of course, such a plotline would be too simple.Īpart from “Camping” and “The Belt of Faith,” the songs leading up to this place in the plot provide a sense of looming danger. “Camping” plays as the Kims lounge around and drink expensive alcohol.
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Although only the Kim mother is allowed in the house to keep order, the whole family settles into the mansion as if it were their own. “Camping,” a slow, opera-like song befitting of any movie ending, seems to suggest a peaceful end to the story with its throaty ‘la’s’ - the Kims would support themselves by leeching off the Parks for a while. Once trust is established between the Parks and the Kims, the wealthy family goes on a trip to celebrate their young son’s birthday. “The Belt of Faith,” a seven-minute-long classical orchestral composition, helps weave all of these scenes depicting their schemes together. And one by one, each family member is hired in their respective role as tutor, art therapist, chauffeur, and housekeeper. When Kim Ki-woo realizes that the mother is a “simple” lady and easily fooled, he formulates a plan to help bring in the rest of his family to leech money off the affluent household.
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This mysterious mood also appears in “Conciliation I,” “Conciliation II,” and “Conciliation III,” all songs that connect several of the movie’s early scenes together. This eerie sound helps convey two meanings: Kim’s nervousness and a foreboding feeling over what’s to come. The sinister piano tune “On The Way to Rich House” plays along Kim Ki-woo’s walk to the Park family mansion as a fake tutor. However, this seemingly bright prospect eventually becomes a catastrophe. Things start to look up for the Kims when the son of the family, Kim Ki-woo (Choi Woo-Shik), is given an opportunity to tutor for a wealthy family - the Parks. “Parasite” follows the Kims, a poor Korean family that lives in a beat-up, basement-style apartment, who struggles to make ends meet. Initially beautiful and bright, the track casually shifts into a gloomful key, reflecting the overall mood shift throughout the film.
#Dramatic opera music used in movies full#
Zulawski tackles Modest Mussorgsky’s famous opera about the bloody battle for ascendancy to the throne of Russia in the 17th-century! With a score conducted by Mstislav Rostropovich, Zulawski adds extra layers of devilish meta-textual embellishment by composing the film’s imagery as though we are watching a theater piece of a film crew making a movie about the opera of “Boris Godounov”! As well, the picture is full of delightful anachronisms that mock the then-contemporary Russian government, alongside jabs at other 20th-century dictatorships.The film’s soundtrack begins with “Opening,” a solo piano piece.