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Now, when you hover over a pitch segment, some 12 controls (the Smart Tools) appear around the edges of the selected segment or segments.
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To get the best from these, select the All option from the panel's small Smart Controls drop-down menu. But the real workflow magic of VariAudio 3 lies not in the panel but in the new Smart Tools. This activates the initial pitch-detection process that superimposes pitch segments and a pitch curve on the waveform display. Smart ThinkingĪt the heart of VariAudio 3's operation is a large collection of Smart Tools.Īlthough the Sample Editor's VariAudio panel contains new options, the first step remains the same: click on the Edit VariAudio button. Then use the render or export options to generate a new, 'cleaned' audio event that's ready for pitch-correction work. In particular, before you start doing detailed work in VariAudio, try to get other 'housekeeping' tasks out of the way first - things like comping from multiple takes, for example, or editing breaths, plosives or sibilance. Before we dive in, it's worth saying that while VariAudio's capabilities have improved massively since I wrote about it in SOS August 2009 ( ), some of the advice I gave 10 years ago still stands. Despite under-the-hood refinements to its pitch-manipulation algorithms, perhaps the most significant improvements are those which allow a far more efficient workflow.
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Find out how by reading our article and watching the videos.Ī headline improvement in Cubase Pro 10 was the major revamp of VariAudio. Using any editing method, instantly previewed with every tool.VariAudio 3 massively enhances Cubase Pro's pitch-correction capabilities.Ĭubase Pro 10's VariAudio 3 competes with the best pitch-correction plug-ins around. You can edit them while seeing how your changes affect other tracks - in real time. Seeing them shows you how they sound - both individually and mixed with other Layers. They’re compatible with regions and tracks, but more powerful. Layers are at the heart of SpectraLayers. – BAFTA, MPSE and Oscar awards for "The Matrix" I've been having a lot of fun with the program. Being able to hear individual layers or combinations and easily export all the components as well as a composite is a great workflow. It can generate unique aural impressions by reconstructing sounds through very hard edged bands into a mosaic. SpectraLayers has been essential as a precise instrument in sculpting some complex but organic fantasy sounds. Either way, all transformations are powered by the Advanced Selection Engine. Of course, you can also do it how everyone else does, using numbers. Move, scale and stretch audio as you drag your mouse (or stylus) to align musical features while you transform, and measure your changes with markers and timelines. And it’s real-time, with full-resolution previewing. SpectraLayers employs the industry’s only visual transformation system for sound. So, despite its advanced technology, SpectraLayers is immediately familiar and instantly powerful. To make this approach intuitive, SpectraLayers employs the model of high-end image editors - not just the interface, but what you can do with sound and how you do it. It extends the traditional visualization of spectral editors to every aspect of editing sounds, including how they mix together. SpectraLayers is the first completely visual editing system for audio. And all in a familiar interface that you didn’t realize you already knew. Integrate these abilities into your DAW and other tools. Visualize audio in astonishing new ways, including 3D. For the first time you can directly edit spectral data, opening advanced sonic worlds, and use innovative enhancements to traditional techniques. SpectraLayers is a new approach to audio editing, with new concepts to transform the way you work. INTRODUCING THE WORLD'S FIRST ADVANCED SPECTRAL EDITOR